| 1) How and when did you get into perfumery?
I started my career in food technology with Unilever Reseach, Colworth
House, where I developed an interest in fragrance chemistry following my
involvement in the extraction of flavour and odorous materials from natural
products.
2) Who were your mentors? Randall Davis, who was the Chief Perfumer at Proprietary Perfumes was my first tutor and had a great influence in my early days as a trainee. Tony Morris helped me greatly through my period of training and was later very supportive during my transition to Firmenich. David Cartwright was always at hand to encourage and advise. 3) What changes have you seen in the industry since you started your career? a) Technology - Computerisation in every aspect of the business has led to improved communications, better knowledge and access to information: advances in instrumentation have enabled chemists to recreate natural products, provide analyses of fragranced products and monitor fragrance stability more effectively. Formulas, once hand written and costed are a thing of the past, even compounding is now being done by robots! b) Safety Legislation has made a significant impact on the way perfumers create perfumes. c) Change from natural to synthetic fragrances, as a result of cost,
quality, continuity of supply and stability. It is no longer possible to
4) Can you name some positive and some negative factors about working as a perfumer back then? Positive: Most of the Perfume houses seemed to be more independent, they were managed by people who came up through the business and consequently had a "family" feel about them. Now senior management are more from a business background. Maybe I'm being a little cynical but perfumery seemed to be more fun then (or am I getting old!). Creatively we were much less restricted by legislation, nowadays much of the creative time is taken up in modifying formulae to conform to safety requirements. Negative: Information and global communication was less prevalent in the past. Then, many major brands were limited to 1or 2 variants, now, brands have more variants with more adventurous fragrances allowing a broader creative scope. 5) What are your plans for the future? I hope to continue working for a while longer on a consultancy basis,
however, when I finally retire I hope to remain fit enough to enjoy
6) What is your favourite perfumery material? This is a difficult question to answer as I have so many, patchouli
and vetivert as well as bergamot, ylang-ylang and
geranium Bourbon are among my favourite naturals whilst galaxolide,
methyl dihydrojasmonate and aldehyde MNA are among my favourite
synthetics. Of the more recent introductions I particularly like dynascone,
bourgeonal and the damascones. I missed (as I'm sure so many
others did) the demise of musk ambrette and the restrictions on
other nitromusks. It has been exciting to have been at the cutting edge
over the past 40 years to see the introduction of many new materials and
to discover how to use them to the best advantage.
If you ask me what makes a good perfumer I would say apart from having
a good 'nose' a perfumer needs to have a good olfactory memory, to be able
to recognise fragrance materials and the subtle differences between them.
One must learn how to put ingredients together to create accords and then
to use these to generate unique fragrances which have the perfumer's individual
style built in. For the household perfumer an understanding of the chemistry
of both fragrance and product is essential, without this the integrity
of
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Interview and report by Ruth Mastenbroek